Jacob Hall
Weekend Box Office: ‘Gravity’ Dominates ‘Carrie,’ ‘Escape Plan’ and ‘The Fifth Estate’
For the third weekend in a row, 'Gravity' dominated the box office, taking no prisoners in its quest to become one of 2013's most deserving blockbusters. However, its tremendous success has been at the expense of a handful of other films, which have been crushed in Alfonso Cuaron's titanic wake.
Weekend Box Office Report: ‘Gravity’ Holds On, ‘Captain Phillips’ Launches and ‘Machete’ Doesn’t Kill
Despite a few new releases, this weekend was all about last week's champion. 'Gravity' held on to the number one spot with all of its might, showing that Alfonso Cuaron's space thriller may have some of the strongest legs of any major 2013 release.
Weekend Box Office Report: ‘Gravity’ is Out of This World
When a movie is sold as being the next incredible cinematic experience that will change the way we watch movies, expectations are huge. Audiences may scoff. It could all backfire. But Alfonso Cuaron's 'Gravity' lived up to the hype and audiences responded in kind, giving it the biggest opening ever for a non-sequel October release.
Weekend Box Office Report: ‘Cloudy With a Chance of Meatballs 2′ Forecasts Big Opening Weekend
There's nothing like a family-friendly animated movie to help shake off the September doldrums and 'Cloudy With a Chance of Meatballs 2' performed as expected. Although Sony's big release effortlessly took the number one spot, this weekend had a few other bright spots, namely a handful of independent films doing quite well in more limited release.
‘SNL’ Welcomes Back Drunk Uncle and Introduces Aaron Paul as “Meth Nephew”
Now that Bill Hader and Stefon have departed the show, we find ourselves treasuring every other recurring 'SNL' character and treating every appearance as if it's their last. That's just a long-winded way of saying "Welcome back, Drunk Uncle!" Bobby Moynihan's rambling, all-too honest (and all-too real) character once again graced the Weekend Update desk with his presence, updating us wi
‘SNL’ and Tina Fey Want to Sell You Some “Manolo Blahniks”
We're not entirely sure when Vanessa Bayer and Cecily Strong's porn stars turned TV saleswomen become two of our favorite recurring 'SNL' characters, but bless 'em: we're so glad that these bizarre people get to grace our television a couple times a year. Of course, the only way to possibly make it better is to add Tina Fey, and wouldn't you know it, the legendary 'SNL' alum stepped in quite gamel
Weekend Box Office Report: ‘Prisoners’ Holds the Box Office Captive
September may traditionally be a wasteland of half-baked films unfit to open in a proper month, but the lack of competition can actually be a good thing. Could 'Prisoners,' a film made specifically for an adult audience, have opened as well as it did if it was released in a busier month? Probably not.
Weekend Box Office Report: ‘Insidious Chapter 2′ Has a Terrifyingly Huge Opening
James Wan has done it again. For the second time this year, a horror film that he's directed has opened to over $40 million, securing his position as the reigning king of mainstream horror cinema. He may be taking a break from the genre to direct 'Fast and Furious 7,' but after the jaw-dropping success of 'The Conjuring' and now 'Insidious Chapter 2,' you just know he'll be back. No one is bringin
Weekend Box Office Report: ‘Riddick’ Wins an Unimpressive Weekend
One of the things 'Riddick' has going for it is that it didn't cost too much. So while its opening weekend may be a little less than impressive, it doesn't have that far to go to make a profit. It's little victories like this that make this, one of the slowest most stagnant movie weekends of the year, more palatable.
Weekend Box Office Report: ‘One Direction: This is Us’ Takes the Lead
The summer is over and September is upon us. The result? One of the most boring weekend box office reports in months. Months! The month or so following the end of the summer movie season is traditionally one of the worst of the year, the time when Hollywood unleashes all of the films that they have little faith in, a buffer between the blockbuster months and the award season months. In other words