In between all of the tributes and montages and musical performances, the SNL 40th Anniversary Special actually found time for some original content. Right after a montage celebrating the short films that have been featured on the show over the years, Zach Galifianakis took to the stage to introduce a new digital short from Andy Samberg and Adam Sandler. Unlike most of Samberg’s original shorts, which usually traded in genial silliness, this one looked inward and examined a subject that everyone who has ever been on the show should be familiar with: breaking character.
A few key members of the SNL cast and crew must love “The Californians” because the much-derided sketch was brought back to life for the show’s star-studded 40th anniversary special. For those of us who have always enjoyed this bizarre sketch (and there are about three of us), it’s a welcome return and we will greedily drink up the angry tears of everyone else.
‘Breaking Bad’ may be completely, definitively over, but that doesn’t mean Walter White is ready to leave popular culture alone. Oh, no. As long as Bryan Cranston is alive and as lone as insurance companies are prepared to back dump trucks full of cash up this house, we’ll get to see America’s favorite meth dealer pop up every so often. So while it’s weird to se Cranston play Heisenberg one more time in an Esurance commercial, it’s not that surprising.
A lot of people are going to act like they didn’t see the enormous success of ‘American Sniper’ coming, but the signs were all there. On top of the promising limited release numbers, there was the awards buzz. On top of that, there were the names of director Clint Eastwood and star Bradley Cooper. On top of that, the subject matter of the film is inherently attractive to the same category of moviegoer that makes Christian-themed films into massive hits. ‘American Sniper’ had one doozy of a weekend, but it’s not that surprising.
It’s become fashionable in recent years to hate the Golden Raspberry Awards (AKA, the Razzies) and for good reason. The inherently negative awards claim to celebrate the worst films of the year, but they frequently nominate or “honor” ambitious misfires or boring studio junk over the real worst films of the year. To be fair, the Razzies are and have always been a big silly joke, but they’re a joke that leaves a bad taste in the mouth. And yet, it’s really hard to look at this year’s nominees and disagree. With a handful of minor exceptions, this looks like a year where the Razzies actually, well, kinda’ got it right.
After the jam-packed month of December, with its huge family-friendly blockbusters and awards season Oscar bait, we have arrived in the month of January. Formerly a dumping ground for mediocre films, the month has taken on a new identity in the past few years as a testing ground for unique genre films (think ‘Cloverfield’) and a solid place to release a horror movie, which seems to do quite well right around New Year’s for whatever reason. This year, we have ‘The Woman in Black 2: Angel of Death,’ which had a fairly solid opening. Not solid enough to topple the Christmas Week champions, but no one is complaining too much.
2016 marks the 50th anniversary of ‘Star Trek,’ which debuted on CBS in 1966, and Paramount has been adamant about getting the next film into theaters in time to mark the occasion. Today, they officially set the date. If all goes according to plan, ‘Star Trek 3’ will warp into theaters on July 8, 2016.
As expected, ‘The Hobbit: The Battle of the Five Armies’ won the weekend, but a quick examination of the actual numbers makes this victory feel just a little hollow. The same goes for ‘Night at the Museum: Secret of the Tomb’ and ‘Annie,’ both of which took second and third place without putting forward particularly impressive numbers. Yep, the holiday box office looked just a little rough this weekend.
As major movie productions keep on getting more secretive, even the best laid plans keep on getting foiled by one thing: merchandising. Yes, hide you costumes and characters and plot points all you want, because when the toys arrive, all bets are off! The latest casualty in this very silly war is Iron Man’s new armor (the Mark XLIII), which was supposedly going to make its debut at some point in ‘Avengers 2’ but can now be clearly seen, examined, and salivated over in toy form.
Sometimes, a film can effortlessly open at number one at the box office while still being a pretty huge disaster. This is the case with ‘Exodus: Gods and Kings,’ which rode a wave of terrible reviews and an even more terrible marketing campaign to a hugely disappointing start. With a lot of big movies opening the next two weeks, the new Biblical epic won’t even find time to grow some legs. Chances are strong that it is dead on arrival.
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