Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
The stunts in the Fast and Furious franchise have grown increasingly ridiculous over the years, with the heroes (and their cars) defying the laws of physics at every turn. While it’s obvious that the more ludicrous action scenes are created with the help of CGI, a new behind-the-scenes featurette has revealed that one of the most insane scenes from the Fast and Furious 7 trailer is real. Yes, they really did drop a fleet of parachute-equipped muscle cars out of an airplane.
Long before he was an internet meme, Chuck Norris was a genuinely skilled martial artist whose ass-kicking abilities were put on display in dozens of action movies. Running the gamut from massively entertaining (The Delta Force) to totally baffling (The Octagon), Norris’ films all have one thing in common: each one sees him kicking a whole bunch of people. So, in honor of the man’s 75th birthday, let’s all take a moment to enjoy a video supercut of Norris kicking people and things.
When he passed away last week at the age of 83, Leonard Nimoy was mourned by actors, artists, politicians, scientists, engineers, astronauts and even the President of the United States. That should tell you something. Few characters have had such a seismic impact on popular culture as Star Trek’s Spock and countless people all over the world felt like they had lost a friend. Amidst the countless tributes, there is now one that stands out: a brief but powerful remembrance from Zachary Quinto, who picked up the Spock mantle in 2009’s Star Trek and its sequel, Star Trek Into Darkness.
In between all of the tributes and montages and musical performances, the SNL 40th Anniversary Special actually found time for some original content. Right after a montage celebrating the short films that have been featured on the show over the years, Zach Galifianakis took to the stage to introduce a new digital short from Andy Samberg and Adam Sandler. Unlike most of Samberg’s original shorts, which usually traded in genial silliness, this one looked inward and examined a subject that everyone who has ever been on the show should be familiar with: breaking character.
A few key members of the SNL cast and crew must love “The Californians” because the much-derided sketch was brought back to life for the show’s star-studded 40th anniversary special. For those of us who have always enjoyed this bizarre sketch (and there are about three of us), it’s a welcome return and we will greedily drink up the angry tears of everyone else.
‘Breaking Bad’ may be completely, definitively over, but that doesn’t mean Walter White is ready to leave popular culture alone. Oh, no. As long as Bryan Cranston is alive and as lone as insurance companies are prepared to back dump trucks full of cash up this house, we’ll get to see America’s favorite meth dealer pop up every so often. So while it’s weird to se Cranston play Heisenberg one more time in an Esurance commercial, it’s not that surprising.
A lot of people are going to act like they didn’t see the enormous success of ‘American Sniper’ coming, but the signs were all there. On top of the promising limited release numbers, there was the awards buzz. On top of that, there were the names of director Clint Eastwood and star Bradley Cooper. On top of that, the subject matter of the film is inherently attractive to the same category of moviegoer that makes Christian-themed films into massive hits. ‘American Sniper’ had one doozy of a weekend, but it’s not that surprising.
It’s become fashionable in recent years to hate the Golden Raspberry Awards (AKA, the Razzies) and for good reason. The inherently negative awards claim to celebrate the worst films of the year, but they frequently nominate or “honor” ambitious misfires or boring studio junk over the real worst films of the year. To be fair, the Razzies are and have always been a big silly joke, but they’re a joke that leaves a bad taste in the mouth. And yet, it’s really hard to look at this year’s nominees and disagree. With a handful of minor exceptions, this looks like a year where the Razzies actually, well, kinda’ got it right.
After the jam-packed month of December, with its huge family-friendly blockbusters and awards season Oscar bait, we have arrived in the month of January. Formerly a dumping ground for mediocre films, the month has taken on a new identity in the past few years as a testing ground for unique genre films (think ‘Cloverfield’) and a solid place to release a horror movie, which seems to do quite well right around New Year’s for whatever reason. This year, we have ‘The Woman in Black 2: Angel of Death,’ which had a fairly solid opening. Not solid enough to topple the Christmas Week champions, but no one is complaining too much.
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